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[Inspector Tanzi]

Makes you wonder what happened with the 3rd in the trilogy then,BOOT HILL.

Definately the poorest out the three, but still a watchable western in my opinion

Thought i was gonna see the Wildeast widescreen version of BOOT HILL recently but i got mis-sold the wrong disc by an independant seller on US Amazon.

My poor pan and scan version is unwatchable.

I've got a wild-east edition but apparently the 2-disc Italian one is best, i still need to pick it up.

I'm still going to keep the wild-east edition for the whole set

[IL COMMISSARIO]

But GOD FORGIVES...is deliberately paced. I think this was to replicate the dragged out scenes in Leone's movies. I rather enjoyed the card playing scene from the beginning. With the camera angles it was quite well shot. The only thing I didn't like about this one is the score as it seemed better suited for a peplum movie.

[LANZETTA]

I'm not very keen on the musical scores in any of Colizzi's films, he seems to have a thing about circus music.

I  noticed the effective use of the Leone-like camera angles throughout and i liked the use of all those fast frames to illustrate the brutal devastation on the train.

But i didn't think Leone particularly dragged out his scenes until after the Dollars trilogy.

[IL COMMISSARIO]

Touche! 

[fdsmedia]

DFW:

Atlantic Film:


DFW:

Atlantic Film:


The Scandinavian release has got shorter, letterboxed opening credits and afterwards becomes fullscreen...

[Inspector Tanzi]

Touche! 

[IL COMMISSARIO]

Touche! 

Ditto!

[Gary B.]

Unlike Spencer however, Hill could carry a movie on his own.

I don't know man, the Piedone series and Banana Joe were all pretty good in my eyes...

[Fabio]

I came nito this one mostly because I'm a completist. The plot didn't interest me but everyone seems to like it. And...........I am now one of them. I viewed it on a piece o' shit DVD. televista or something. (This terrible quality usually ruins the movies for me). I enjoyed it anyway. Loved the unique atmosphere and such.