So that's the explanation! Thanks, Marc. It sounds complicated though; I mean first Severin have a new master made from the Danish cinema print and then they have another hi-def master made from the negatives. Why make a new master from the Cinema print in the first place? Why didn't they just remaster the scenes that weren't in Novak's print. But maybe they weren't aware of the existence of the negatives when they made the first master off the cinema print? Oh well.
No, Severin have a digital clone of the same master AWE used. In addition to this, Severin created a new HD master from the newly discovered US version. They didn't make a new master from a cinema print at all.