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[quidtum]

Can't you read the name of the one who posted that?
Now please reply to my above question:

It actually appears as though GIRL FROM 2A's entire score comes from the Pisano cues for ARCANA.

Do you have some handy audio snippets for that GIRL FROM 2A's OST?

[ecc]

Can't you read the name of the one who posted that?
Now please reply to my above question:

It actually appears as though GIRL FROM 2A's entire score comes from the Pisano cues for ARCANA.

Do you have some handy audio snippets for that GIRL FROM 2A's OST?

There is no GIRL FROM ROOM 2A soundtrack, just the score as it appears in the film.  Although Pisano is credited as the composer on 2A, the cues all seem to come from ARCANA.

[quidtum]

Although Pisano is credited as the composer on 2A, the cues all seem to come from ARCANA.

Yeah GIRL FROM ROOM 2A: I was misled by that foreign title of the movie (La casa della paura). I've to say that it's not such a rare thing, by the way Berto Pisano recycled some tracks from Interrabang for Giallo a Venezia. Even Piero Umiliani used the music for Il corpo for the following Eva nera.

[ecc]

Although Pisano is credited as the composer on 2A, the cues all seem to come from ARCANA.

Yeah GIRL FROM ROOM 2A: I was misled by that foreign title of the movie (La casa della paura). I've to say that it's not such a rare thing, by the way Berto Pisano recycled some tracks from Interrabang for Giallo a Venezia. Even Piero Umiliani used the music for Il corpo for the following Eva nera.

That makes me wonder if Pisano's jazzy main title theme for BURIAL GROUND (NOTTI DEL TERRORE) is recycled from another film.

The CAM-produced scores by Cipriani, De Masi, Nicolai, and Morricone are also heavily recycled in Spanish films (including several films by Paul Naschy).

[quidtum]

Basically this only means more money to earn for a soundtrack/library composer, and considering the huge amounts of movies shot during the 70s, it seems almost natural that some composers could use their music again for another movie.
It'd be actually very interesting to draw a whole map of these soundtracks and their use.
This is really more and more hard to do for libraries and sonorization records: I've tons of these records and I completely ignore which TV programs, documentaries, etc., they were created/used for.

[quidtum]

That makes me wonder if Pisano's jazzy main title theme for BURIAL GROUND (NOTTI DEL TERRORE) is recycled from another film.

Probably from Katarsis AKA Sfida al diavolo
http://www.imdb.com/title/tt0276499/

[ecc]

That makes me wonder if Pisano's jazzy main title theme for BURIAL GROUND (NOTTI DEL TERRORE) is recycled from another film.

Probably from Katarsis AKA Sfida al diavolo
http://www.imdb.com/title/tt0276499/

I might have a copy of that on DVDR.  I'll have to finally check it out.

[ecc]

The Italian credits for ARCANA credit both Pisano and Grano with the score (with an additional conducting credit for Pisano).  I don't know why GIRL IN ROOM 2A only credits Pisano.

[quidtum]

According to you, are false the credits reported on a vinyl label or the credits compiled on imdb?
http://www.imdb.it/title/tt0221803/fullcredits#cast

[ecc]

According to you, are false the credits reported on a vinyl label or the credits compiled on imdb?
http://www.imdb.it/title/tt0221803/fullcredits#cast

[quidtum]

Here's another site confirming that both the musicians are credited as composers of the soundtrack.