Easily beats even Morricone's best efforts.
I really like the BLINDMAN soundtrack but that's crazy
I still stick to that statement, paperbag.
The Maestro is a giant in the soundtrack business, of course, and I dig most of his scores, in particular those for the Eastwood verhicles.
However, I prefer Cipriani's score because of its variety and inventiveness. Most Italian Western scores of the early 70s were formulaic or tried to reach originality by a crazy mixture of styles that simply didn't work together well.
Just my 2¢.
