Since I'm rather late in posting to this thread, you've pretty much all named my favorites so I'm just gonna throw this additional one out there: any DIAL: HELP fans?
Sure, its silly but I like the Rome that Deodato creates in this film. Backstreets, empty piazzas, crumbling old apartment exteriors giving way to blindly white modern apartments, trendy lofts, and noirish offices, cramped nightclubs, almost every guy has one of those ridiculous eighties ponytails, Charlotte Lewis practically spilling out of anything she wears here, and Renato Tafuri's photography.